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Contents:
  1. Flying Wallendas traverse Times Square on a high wire
  2. HighWire – ImaginationLancaster
  3. Partners / Funders
  4. Turning data and information into tangible results
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Leapfrog: transforming public sector engagement by design The Leapfrog project will be a close collaboration with public sector and community partners to design and Living Design The effective use of design for sustainability in maker enterprises. Tracing Tides Mapping flows of Morecambe Bay. What if? Design Fictions for Society Imagining the future implications of policy initiatives in creative ways.

Loura Conerney. Gemma Coupe Design Manager, Leapfrog. Rachael Hill Design Visualiser. Francesco Mazzarella design activism; service design; social innovation; sustainable futures; fashion and textile craftsmanship. Michael Stead Industrial product design, design futures, design fiction, research through design, internet of things, sustainability. Sharon Summers.

CALIPHARMA - The High Wire with Del Bigtree

BA Design. Masters Programme. PhD Programme. Lancaster University. Go here to apply: highwire. Project Team.

Flying Wallendas traverse Times Square on a high wire

Proud and HighWire Event. HighWire students helped to develop a code of practice or values for the 'open to all' participants in the centre when its formally open after a period of renovation in January In a first event in the Proud space in the Storey Creative Industries Centre in the center of Lancaster we introduced G Up: Ghanaian specific design and innovation models Working with manufacturing and high-tech company partners to co-design new, locally tailored innovation, Ethics in Crises IsITethical? Leapfrog: transforming public sector engagement by design The Leapfrog project will be a close collaboration with public sector and community partners to design and Living Design The effective use of design for sustainability in maker enterprises.

Tracing Tides Mapping flows of Morecambe Bay.

HighWire – ImaginationLancaster

What if? Design Fictions for Society Imagining the future implications of policy initiatives in creative ways. Loura Conerney.


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Gemma Coupe Design Manager, Leapfrog. Rachael Hill Design Visualiser.

Partners / Funders

Francesco Mazzarella design activism; service design; social innovation; sustainable futures; fashion and textile craftsmanship. Michael Stead Industrial product design, design futures, design fiction, research through design, internet of things, sustainability. Sharon Summers. BA Design.

Masters Programme. PhD Programme. Lancaster University. Go here to apply: highwire. Project Team. Looking forward, what will the liberated HighWire do with its new-found freedom?


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Might it leverage its income, its new private financing, and its potential access to open-market capital resources to streamline or consolidate some of the digital publishing activities? Could this be the beginning of some consolidation in the overall space of digital publishing services? Additionally, there have been many technology start-ups in digital publishing, which have been acquisition targets over the past two-to-three years.


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A variety of new tools from these start-ups are starting to roll out, such as reputation management, annotation, data management, author services, and scholarly workflow tools. To what extent might the development been more robust in a more nimble independent environment. It may be too soon to tell, but initial reactions appear to be positive about this move. What will be intriguing in the coming months and years will be to watch will be how this impacts the partners as well as the other corporations interacting in our community space. Few transitions go smoothly, so bumps are to be expected.

However, at least the HighWire leadership can enjoy a moment in the sun to bask in their success both of their long-term achievements as well as their more recent financial successes. Hopefully, the benefits will accrue to everyone involved. As I recall it, High Wire was organized on a wave of anti-profit sentiment fostered by university managers since the s.

Does anyone else see the irony? Over the years, it has expanded to include some commercial publishers. Evolution is natural, and business has requirements. Finding room at the funding trough was probably more than a little difficult for this relatively small endeavor out of the libraries. It seems a reasonable and not unprecedented step.

Turning data and information into tangible results

As a minor footnote, you might have noted that Project Muse got substantial start-up funding from the Mellon Foundation, which often has been the source of such capital for university-based innovations. Attending SSP, and then the Atypon user conference, got me wondering about just how big this business is.

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